If you’ve been following along, you already met Rob and Taylor up in the wildflowers at Albion Basin for their engagement session. Turns out that was just the opening scene. These two don’t do anything halfway — every part of their wedding day was treated like its own art installation, and getting ready was no exception.
So instead of the usual “here’s the whole wedding in one post” format, I’m splitting this one up. Today we’re starting where the day started: getting ready at Le Méridien Salt Lake City Downtown, before the story continues at the Natural History Museum of Utah. Think of this as Part One. There is simply too much good material here to rush it.
Rob and Taylor wanted every stop on their wedding day to actually mean something — no filler locations, no “this will do” spaces. They wanted rooms that already looked like they belonged in an editorial, before I even picked up a camera. Le Méridien Salt Lake City Downtown checked every box: a space that felt curated, intentional, and completely in line with their style, so the getting ready photos would set the tone for the rest of the day instead of feeling like a warm-up act.



This is the part I geek out about. Le Méridien Salt Lake City was designed with a clear point of view: timeless mid-century modern design, filtered through European sensibility and grounded in Salt Lake’s own landscape of deep evergreens, golds, and warm wood tones. It’s a newer build in the West Quarter, but it doesn’t read new-and-generic — it reads intentional, like every material and line was chosen on purpose.
For getting ready photos specifically, that matters more than people realize. Clean architectural lines, floor-to-ceiling windows, and a restrained, warm color palette give me so much to work with. The rooms don’t compete with the couple — they support them.



Inside, the guest rooms lean into that same mid-century modern flair: tailored, design-forward details, mixed materials, and floor-to-ceiling windows that flood the space with natural light all day long. Add in touches like the emerald tile in the bathrooms and you’ve got a backdrop that feels styled without anyone having to actually style it. For getting ready photos, this is exactly what I’m looking for — a room that already has a color story and a light source before I’ve moved a single thing.
Taylor’s hair and makeup were done by Sarah Michelle Artistry, and honestly, the light in these rooms did the artistry justice — soft, even, and flattering all the way through the process, which made for some of my favorite quiet-moment shots of the whole day.
If you’re considering Le Méridien Salt Lake City for your own getting ready photos, here’s what to know:

For Rob and Taylor, getting ready wasn’t just “the part before the wedding starts” — it was a full chapter. The rooms at Le Méridien gave us a quiet, beautiful setting to slow down and document the anticipation of the day before things picked up speed. From there, the story moved to the Natural History Museum of Utah for the ceremony and portraits — a total shift in tone and setting that I’ll be covering in the next post.
That’s the fun part of documenting a wedding day like this one: every location is a new scene, and Rob and Taylor made sure every scene was worth telling.






Part two — the museum, the ceremony, and everything after — is coming soon.
If you’re planning a wedding day that moves through multiple locations, each with their own story to tell, I’d love to help you plan it. Let’s make every part of your day worth its own blog post.
Created by Morning Light Design